Margot joins Washington Bach Consort in an annual performance of Weihnachtsoratorium, BWV 248, parts 1, 2, 3 & 6 at Strathmore Music Center, Dana Marsh conducting.
Margot joins True Concord Voices and Orchestra for three performances of Handel Dixit Dominus & Vivaldi Gloria in various venues in Tucson and Green Valley, AZ.
Margot makes her debut with Folger Consort alongside soprano Crossley Hawn and mezzo-soprano Kristen Dubenion-Smith in a concert centered around Geoffrey Chaucer’s narrative poem A Parlement of Foules, which contains the first mention of Saint Valentine as a patron of lovers. Chaucer’s narrative poem will be framed with music from 14th-century England and France, and a newly-commissioned piece by composer Juri Seo.
Margot joins Washington Bach Consort in a one-per-part performance of BWV 23, Du wahrer Gott und Davids Sohn at Church of the Epiphany in downtown Washington, DC.
Margot joins Washington Bach Consort in a performance of Heinrich Schütz’s Geistliche Chormusik with Dana Marsh conducting.
Margot joins Washington Bach Consort in a performance of Heinrich Schütz’s Geistliche Chormusik with Dana Marsh conducting.
Margot joins the Clarion Choir and the Baltimore Symphony Orchestra to perform Dame Ethel Smyth's Mass in D at Washington National Cathedral, with Steven Fox conducting.
Margot performs Pergolesi’s Stabat Mater with mezzo-soprano Kristen Dubenion-Smith on the Concerts at Christ Church series in Old Town Alexandria, VA.
Margot joins Washington Bach Consort in a performance of Mozart Requiem, with Dana Marsh conducting.
Margot joins Washington Bach Consort and a wonderful band of instrumentalists for chamber recital of French and English baroque masters such as Jean-Philippe Rameau, Michel Pignolet de Montéclair, Marin Marias, and Henry Purcell.
Margot Rood, soprano
Margaret Owens, oboe, recorders
Sarah Cunningham, viola da gamba
Kevin Payne, theorbo
Leon Schelhase, harpsichord and director
Margot joins Washington Bach Consort and a wonderful band of instrumentalists for chamber recital of French and English baroque masters such as Jean-Philippe Rameau, Michel Pignolet de Montéclair, Marin Marias, and Henry Purcell.
Margot Rood, soprano
Margaret Owens, oboe, recorders
Sarah Cunningham, viola da gamba
Kevin Payne, theorbo
Leon Schelhase, harpsichord and director
Margot joins Washington Bach Consort and conductor Dana Marsh as soprano 2 soloist in Bach’s St. Matthew Passion.
Margot joins Washington Bach Consort and conductor Dana Marsh as soprano 2 soloist in Bach’s St. Matthew Passion.
Margot joins Blue Heron to for a recording project in Boston and Cambridge, MA.
Margot joins fellow soprano and founder of DC Singer Collective Genevieve McGaghey for a duet concert of English and French baroque gems featuring music by Purcell, Rameau, & Jacquet de la Guerre.
Margot joins the St. Andrew’s Bach Society, mezzo-soprano Thea Lobo, and violinist Freya Creech for a recital of baroque favorites at Grace St. Paul’s Episcopal in Tucson, AZ.
Margot joins Bach Vocal Artists of Winter Park for a varied acapella program.
Margot joins Seraphic Fire for performances of Schein’s Fontana d’Irasel, with Ruben Valenzuela guest conducting in various venues across South Florida.
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Margot joins Washington Bach Consort as soloist in a performance of Charpentier’s Te Deum and other exquisite works that reflect the magnificence of French courtly and ecclesiastical grandeur.
Margot joins Opera Lafayette to sing the title role in Handel’s Esther at The Kennedy Center’s Terrace Theater, led by harpsichordist Justin Taylor.
Margot joins True Concord Voices and Orchestra for performances of Jocelyn Hagen’s stunning piece Notebooks of Leonardo Da Vinci, performed at various venues in Tucson, Arizona.
Margot joins Blue Heron for a program of musical portraits of popes & nobles, lovers & spouses, patrons & friends, & theatrical personalities. Music by Ciconia, Du Fay, Busnoys, Isaac & others.
Margot joins Blue Heron in Tucson at Arizona Early Music for a program of musical portraits of popes & nobles, lovers & spouses, patrons & friends, & theatrical personalities. Music by Ciconia, Du Fay, Busnoys, Isaac & others.
Margot joins Handel + Haydn Society and the New York Philharmonic for 5 performances of Handel’s Messiah at David Geffen Hall at Lincoln Center.
Margot joins Washington Bach Consort in an annual performance of Weihnachtsoratorium, BWV 248, parts 1, 2, 5 & 6.
Margot joins Washington Bach Consort as the Angel in Schütz’s Weihnachts-Historie, SWV 435.
Margot joins Washington Bach Consort as the Angel in Schütz’s Weihnachts-Historie, SWV 435.
Margot joins Handel + Haydn Society in three performances of Handel’s Messiah, celebrating the organization’s 170th consecutive year of Messiah performances with new artistic director Jonathan Cohen conducting.
Margot joins Washington Bach Consort in a performance of all six of Bach’s motets, Dana Marsh conducting.
Margot joins Washington Bach Consort in a performance of Du aber Daniel, gehe hin TVWV 4:17 with Dana Marsh conducting.
Margot joins Washington Bach Consort in a performance of Du aber Daniel, gehe hin TVWV 4:17 with Dana Marsh conducting.
Margot performs the Pie Jesu in Fauré’s Requiem with the choir of historic Christ Church Alexandria, Jason Abel conducting.
Margot joins the Bach Vocal Artists of Winter Park for an all-Handel program including Dixit Dominus, Laudate Pueri Dominum, Nisi Dominus.
Margot joins Blue Heron for a program that includes a fine selection of French chansons from the anthology Le Rossignol Musical des Chansons, published in Antwerp in 1597, including works by composers such as Andreas Pevernage, Jan Pieterszoon Sweelinck, and Claude Le Jeune.
Margot joins Blue Heron for a program that includes a fine selection of French chansons from the anthology Le Rossignol Musical des Chansons, published in Antwerp in 1597, including works by composers such as Andreas Pevernage, Jan Pieterszoon Sweelinck, and Claude Le Jeune.
Margot joins Washington Bach Consort in a performance of Nimm von uns, Herr, du treuer Gott, BWV 101 with Dana Marsh, conducting.
Margot joins Washington Bach Consort in a performance of Nimm von uns, Herr, du treuer Gott, BWV 101 with Dana Marsh, conducting.
Margot joins Washington Bach Consort in a performance of Bach’s St. John Passion, Dana Marsh conducting.
Margot joins Blue Heron at Laus Polyphoniae in Antwerp, Belgium for a program that includes a fine selection of French chansons from the anthology Le Rossignol Musical des Chansons, published in Antwerp in 1597, including works by composers who had connections with the city, such as Andreas Pevernage, Jan Pieterszoon Sweelinck, and Claude Le Jeune.
